Kengua is a transsexual journalist and Laraba is his female colleague, who refuses to be evaded by him. They live out their race for a culled national prestige and their chase for emotional comfort in the intrigues of a demanding society and the diverse people traversing it. Their demand for objectivity is swallowed up in their parochial subjective nature as unconventional controversial persons.
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This is the story of Kengua, a transsexual journalist, and Laraba, (Strength of a Woman) his female colleague and suitor who refuses to be evaded by him. They are both impressive reporters and this is the story they both live in their race for a culled national prestige.
The tale tells of their chase for an emotional comfort with or without each other, in the intrigues of a demanding society and the diverse people traversing it. Their story takes a haphazard order, seemingly in the future but in a distorted lingering present, but still in a past not ended distinctly. This is their romantic tale, that of the aromatic irrepressible choking political complexities of the Nigeria they inhabit, the civility it borrows but does not keep or practices.
The story is particularly styled to challenge the accepted logical world patterns and its deliberately numbed obvious contradictions.Their demand for objectivity in every possible regard is swallowed up with their own parochial subjective nature as unconventional characters and controversial individuals. This is elabourately ordered to accommodate the magical realism in the bluntness of its entire encompassing exposition.